※ 引述《rockmanx52 (ゴミ丼 わかんりんにゃれ)》之銘言:
: ※ 引述《rockmanx52 (ゴミ丼 わかんりんにゃれ)》之銘言:
: : 另外就是對於日本漫畫多題材的問題
: : 據說目前美國幾家作日漫代理的出版社
: : 已經打算在美國的日漫銷售量近半的時候
: : 開始用當初1960年代的方式去壓迫日本出版社
: : 「不得再推出任何一部政治不正確的作品」
: : 所以
: : 好好珍惜現在的時光吧....
: https://archive.is/OAXW9
: 補充一下 放話的是這個傢伙
: 今年剛被美國最大日漫代理商Viz Media聘用
他那段推文,好像在抨擊那些將恐同、恐跨、厭女全怪到日本動漫畫上
講的好像這些東西像是突然在西方冒出來似的
甚至忽略日本人在爭取LGBTQ+平等權利所作的努力
是我會錯意了嗎?希望板友指正
不過中間那段看來真的是在說,真的有日方去談了
照他的說法,若搞砸了,恐怕以後美國讀者就要跟厲害國一樣
等漢化組了…
https://twitter.com/OhHeyDJ/status/1229849003476434944
Imagine being so much of a weeb that you can’t see past your own rose
colored glasses and think that Japan is some sort of anime amusement park
that you ignore actual Japanese LGBTQ+ people fighting for equal rights and
taking homophobia and transphobia to task in their content.
Not being homophobic, transphobic or misogynistic is not some western ESS JAY
DOUBLE YEW thing that just popped up out of nowhere. You truly hate to see it.
Regardless of that. With the US being one of the biggest markets for anime
and manga, there IS going to be conversation between stakeholders in Japan
and here when it comes to creating content that appeals to more western
audiences. The anime industry IS A BUSINESS.
Also. Some of y’all don’t know the differences between translations and
localizations and it shows. Google is right there.
The mental gymnastic some of y’all exhibit on twitter for the whole world to
see is truly EMBARRASSING.
FOR YOU.