: 所以機械降神 根本是假議題吧
: 一部作品好看與否
: 就是看作者的敘事能力與情節編排
: 而會用機械降神的作者
: 通常也都是敘事能力差勁的那些
: 只會把這招當成擋箭牌
: 編劇能力差 寫出來的故事自然也就難看
: 大家才會有機械降神=難看的既定印象
: 484這樣子
機械降神這個詞,
當初被亞里斯多德點出來時,本來就是負面意思,認為沒有邏輯。
所以也不能說是現代人才覺得不好。
這是亞里斯多德在詩學中的評論
“Clearly, the resolution of the plots should come from the plot itself and
not, as in the Medea, from some divine contrivance or as in the Iliad during
the rush to the ships (Il. 2.155). The divine device should instead be used
for events that are outside the drama either for those that come before what
people could know or those that come later which require prophecy and
revelation—since we allow that the gods may see everything. There should be
nothing illogical in the events, unless it comes from outside the tragedy
itself as in Sophocles’ Oedipus.”
然後冨樫其實用了三次機械降神
要知道蟻篇有三個難解的死結:
1.蟻王和三護衛太強討伐軍絕對打不贏 -> 用薔薇炸死毒死、小傑變大傑
2.小傑最親近的凱特死透了-> 凱特有練「絕對不會死」的能力,無傷轉生
3.小傑變大傑治不好 -> 原來奇犽有無代價許願機可以治
用的好不好見仁見智,不過短時間內冨樫真的重複用了好幾次同樣手法。