補充：有關Eisenstein on the Audiovisual: The Montage of Music, Image and
Sound in Cinema一書，裡面探討Eisentein對於視、聽二覺在電影製作上的處理，並且詳
盡談到他在某一影作中如何以不同方式處理影、音之間的association與dissassociation：
The creaking of a boot is not featured with the depiction of a boot. Instead,
it appears when a human face is seen, listening anxiously to this sound. Here
the passive everyday association with the creaking sound and the image of
the boot is severed, and the connection which is made between the anxious
face and the creaking sound of the boot is the point at which audiovidual
cinema becomes an effective expressive medium.
※ 引述《shell (HXD)》之銘言：
: Art begins the moment the creaking of a boot on the soundtrack occurs against
: a different visual shot and thus gives rise to corresponding associations.
: 藝術從一隻靴子的聲響開始，相對於不同的視覺視角，進而產生對應的關係。
: （我自己都不知道在翻什麼東西？！）